Edit High-Energy Motorsport Reels
Budget / Salary₹1,500–12,500
TypeFreelance project
LocationRemote
Posted5 hours ago
I need a skilled video editor who can take the raw chaos of a race weekend—onboard camera feeds, track-side telephoto shots, even shaky phone clips—and turn it all into fast-paced, dynamic Reels that hit hard from the very first frame. Every cut should land on the beat, every transition should feel like a gear change, and the pacing must keep viewers glued until the chequered flag.
Here’s how we’ll work together:
• You receive the footage as soon as it’s dumped to our cloud folder and, within hours, shape it into a punchy 15–60 second vertical edit.
• Motion graphics, captions, lower-thirds, and stat overlays (lap times, positions, results) need to match our existing colour palette and typography so the feed stays visually consistent.
• Same-day or next-day turnaround is critical during race weekends; the content has to go live while the hype is still peaking.
• Throughout the week we’ll refine longer recap pieces, create highlight clips, and queue everything so the social media manager can schedule posts without delay.
• Finished exports must arrive in 1080 × 1920, H.264, with project files neatly organised in a mirrored folder structure for archiving.
Preferred tools are Premiere Pro and After Effects, but I’m open to DaVinci Resolve if you’re faster there—as long as the results stay razor-sharp and on brand.
If you thrive on tight deadlines, love motorsport, and can keep the energy high from start to finish, let’s get these reels on track.
Here’s how we’ll work together:
• You receive the footage as soon as it’s dumped to our cloud folder and, within hours, shape it into a punchy 15–60 second vertical edit.
• Motion graphics, captions, lower-thirds, and stat overlays (lap times, positions, results) need to match our existing colour palette and typography so the feed stays visually consistent.
• Same-day or next-day turnaround is critical during race weekends; the content has to go live while the hype is still peaking.
• Throughout the week we’ll refine longer recap pieces, create highlight clips, and queue everything so the social media manager can schedule posts without delay.
• Finished exports must arrive in 1080 × 1920, H.264, with project files neatly organised in a mirrored folder structure for archiving.
Preferred tools are Premiere Pro and After Effects, but I’m open to DaVinci Resolve if you’re faster there—as long as the results stay razor-sharp and on brand.
If you thrive on tight deadlines, love motorsport, and can keep the energy high from start to finish, let’s get these reels on track.
Apply on Freelancer →
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